Paul McDonough, whose evocative candid photographs, often of crowds, captured what he called the galvanizing energy of turned-on New Yorkers and the tired West Coast venues where urbanites had fled to tune out, died on March 25 in Brooklyn. He was 84.

Armed with a 35-millimeter Leica or a Siciliano — one of 55 cameras custom-built by his fellow Brooklyn photographer Thomas Roma, who was head of the department of photography at Columbia University’s School of the Arts — Mr. McDonough captured impromptu groups in which individual facial expressions projected multiple impressions; stark romantic images, like a couple kissing in Central Park or youngsters at play; and statues, which he whimsically juxtaposed with human look-alikes...READ MORE